Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Gweon, Song-taeg | Malreo yi Baheu gwanhyeonag jogog jaeguseong eseo natananeun Goete yi mihag gwa hyeongsig yi yanggeugseong. [Mahler's rewriting of Bach's orchestral suite: Goethe's aesthetics and the polarity of forms] |
EumagGwaMunhwa |
| 9 | 2003 |
37-53 |
|
| 2. | Na, Ju-ri | 20-segi baheu suyonggwan yi byeonceon. [Bach reception in the twentieth-century] |
EumagGwaMunhwa |
| 9 | 2003 |
81-106 |
|
| 3. | Na, Ju-ri | Mendelseujon yi Matesunangog Baheu sahu coyeon yi baegyeong gwa silje, geurigo gyeolgwa. [Mendelssohn's 19th century premiere of J.S. Bach's St. Matthew Passion: Its context and consequence] |
EumagGwaMunhwa |
| 19 | 2008 |
83-107 |
|
| 4. | I, Ga-yeong (Lee, Ka-young) | Baheu jagpum yi jeontongjeog haeseog e daehan jaego: Poebuseu wa Pan yi daegyeol eul jungsim'euro. [Reconsidering the traditional understanding of Bach: The case of Der Streit zwischen Phoebus und Pan] [BWV 201] |
EumagGwaMunhwa |
| 22 | 2010 |
57-77 |
|